noir – dark arts criticism

Russian-language media widely reported today on Russian Minister of Defense Sergei Shoigu’s interview on the state-funded Zvezda network’s television program Military Acceptance where he claimed that Russia was in “an information war on all fronts”, and had “no right to lose in this war”. [1]

Shoigu’s call to arms makes up a relatively small proportion of the hour-long television episode which celebrates the 50th anniversary of the Department of Information and Mass Communications of the Russian Defense Ministry.

The full program is here, and can be viewed with auto-translated English subtitles:

Despite being targeted to a domestic audience and apparently crafted to promote a sense of pride and patriotism in the Russian “information support” services, the Military Acceptance program as a whole (to include Shoigu’s claims of victimhood) can be contextually analyzed within the broader geopolitical context of the aggressive Russian information warfare agenda. Continue reading “Sergei Shoigu Claims Russia is Victim in Information War”

If someone was to ask me who my favorite artist was today, I would most likely name the late Prodigy (Albert Johnson) of the 1990s hip hop duo Mobb Deep.  Prodigy died at age 42 in June 2017 reportedly due to complications of his lifelong battle with sickle cell anemia.

But Prodigy is actually an interesting figure in the landscape of Russia and conspiracy theories too. He is the man who brought a paranoid belief in the Illuminati to hip hop.

Continue reading “Tsarist-Commies Started Prodigy’s Illuminati Ideology?”

Currently, I am interested in the ‘Facial Annalistic Set of the 16th Century‘ (aka ‘The Illustrated Chronicle of Ivan the Terrible‘ ,’Obverse Chronicle‘, ‘Tsar Book’, ‘Facial Chronicle‘, ‘Litsevoy letopisny svod’, ‘Лицевой летописный свод‘, etc.) because of its contemporary depictions of torture and execution from the reign of Ivan IV, who commissioned the work.

While the historical accuracy of the events depicted in the books may be debated, we can infer that this is how the Tsar purposefully intended his legacy to be remembered in line with his efforts to revise the history of his own era.

The existence of these images may dispute the arguments of Russian nationalists who claim a conspiracy by Western rivals to create a “black legend” related to information warfare surrounding Ivan IV.

Such images of death and destruction only make up a small fraction of the miniatures in the Facial Annalistic Set. However, their existence does support the idea that Ivan IV wished himself to be perceived in a fearsome way and didn’t hide that he had people brutally punished in order to enforce his rule.

It was hard to find good quality images online from the chronicles to support this research. After some digging, I’ve found some excellent digital copies of the Facial Annalistic Set which were commissioned by the Russian nationalist businessman, conspiracy theorist, and political aspirant German Sterligov; who became one of the first millionaires (if not the first) in post-Soviet Russia after starting the stock exchange Alisa.

(The files are posted here, after the break and a bit of interesting biography on Sterligov.) Continue reading “German Sterligov’s Facial Annalistic Set of the 16th Century”

An exhibition called “The First Tsar. Moscow. Grozny” opened at the Zaryadye Park in Moscow and will run through October 31, 2021. This is the first of ongoing exhibits slated for the museum-like attraction which is referred to as the “Podklet” (Подклет) ‘project’ [1].

Podklet refers to the stone basement which is present at the museum site and where the rotating exhibits will be housed. Notably the Zaryadye Park location is on the site of the so-called Old English Court where Ivan IV granted a residence to English merchant-diplomats which “became the first official representation of a foreign power in Moscow.” [2]

According to Elena Voitsekhovskaya, head of the scientific and educational projects department of Zaryadye Park: “the Podklet project will become a kind of a catalog of personal informal studies of various historical phenomena, their factology and trace in the mass consciousness. And the premises of the white-stone basement are an intellectual attraction, a cabinet of rarities placed in a multimedia field.”  [2]

Zaryadye Park was the first new park in Moscow in 50 years. It opened in 2017 in a ceremony inaugurated by Vladimir Putin [3]. Coinciding with a national security mandate to protect the Russian historical memory, the announcement of the exhibition at Zaryadye also appears amidst a flurry of other semi-official rehabilitations and popularizations of Ivan IV which seem to have been pushed by ideologists close to Putin’s inner circle [4]. Continue reading “Meme-ry Wars and Ivan IV”

Conspiracy theories about the death of Diana, Princess of Wales do not appear to have been previously considered in an ‘information warfare’ context which is attributable to Russia. However, my recent research has uncovered a highly probable scenario of Russian co-optation and development of these conspiracy narratives as part of a strategic information campaign targeting the United Kingdom. Of course, these connections to Russian strategic information are opaque, and laundered through fronts and third parties; but the connections are top-level and obvious.

While this report will suppose that land mines play a role in the motive for disinformation attacks on Diana and her legacy, it asserts that those attacks have come from Russian strategic information interests, rather from any UK or ‘Western interest’.

As tempting as it is to wonder if Russian wetwork may be at play in this story, it is out of the scope of this report which will focus only on provable or highly likely Russian strategic conspiracy narratives and will not seek to dispute any official forensic findings of the accident investigation.

Continue reading “Princess Diana Conspiracy Theories: Russian Active Measures?”