Category: Useful Idiots

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Secret Project Revolution: The Postfeminist Kabbalah Jihad

Roseanne Barr and Madonna Louise Ciccone (a.k.a. the pop star “Madonna”) have been two outspoken feminist and ‘postfeminist’ figures from the 1980s-present. At first blush, there does not appear to be a great symmetry between the pair – however there is actually a very strong parallel in their social networks and plausibly ‘communistic’ social activism as women artists.

While it is no surprise that feminists will often adopt leftist or Marxist critiques of power which emphasize the disruption of patriarchal gender norms –  it is interesting to note that both Roseanne and Madonna have currently adopted post-Soviet narratives regarding politics and the occult which are connected to modern Russian Information Warfare, underpinned by (apparently) past and present ‘communistic’ influences. This may give the social ‘performances’ of Americans Roseanne and Madonna strategic value to Russia parallel to the work of anti-establishment postmodern Russian groups like Voina (War) and Pussy Riot.

Roseanne Barr in ‘She Devil’ (1989)

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It is pretty obvious that Charlton Heston was a Kremlin “Culture Warrior”

The late Charlton Heston has frequently been associated with “culture war”. Heston died in April 2008, but in the final years of his life, he was known principally as a staunch right wing gun rights activist, and former long term president of the National Rifle Association (NRA).

In 2013, appearing on Alex Jones’ Infowars in a segment devoted to ‘rebut[ting] the desecration of Charlton Heston’s memory‘, frequent guest Ted Nugent said:

“Charlton Heston knew the culture war was coming before any of us did, Alex”. (@6:40)

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Rebutting Russia Insider’s Take on Anti-Semitism: You Left out Russian Anti-Semitism

I read Lucien Wolf’s enlightening 1921 book: THE MYTH OF THE JEWISH MENACE IN WORLD AFFAIRS or THE TRUTH ABOUT THE FORGED PROTOCOLS OF THE ELDERS OF ZION as part of my research into the correlation of eschatology with conspiracy theory and anti-Semitism. This is by far the most authoritative debunking of The Protocols which I have read. You should read it too (it’s free at Google Books and may take you only 30 minutes).

In the controversy which is surrounding the widely condemned recent Russia Insider article (cached version) : “It’s Time to Drop the Jew Taboo”, I feel that calling attention to the very nature of modern anti-Semitism as having been in large part engineered by Russia is important. In this same vein, it is also important to highlight how the article is just another rehashing of the idea that being conscious of anti-Semitism as a real thing is some kind of racism.

Lucien Wolf, Diplomaticus / Vanity Fair

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Orson Welles and Erika Cheetham as Kremlin Agents

In writing a revision of a paper, I am forced to cut a big section. However, I think it is good enough to post here. This is an expansion of sorts of the biography of Orson Welles and Erika Cheetham I did in the paper “Russian Active Measures and September 11 2001: Nostradamus Themed Disinformation”.  There is quite a bit I could add to this, such as my recent blog on “F for Fake”, or that the huge 1982 anti-nuclear peace rally which Welles was a prominent guest at was clearly inspired by the pioneering 1930’s era peace rallies organized by his political mentor Louis Dolivet. Dolivet had been an inspiration of other prominent figures from the rally, such as Lord Philip Noel-Baker. 1983 FBI reports suggested the rally had been influenced by Soviet active measures at the “highest levels“.

To me, given the Soviet infiltration of the peace movement, and his proximity to multiple “cells” of Russian spies (including peace movement figures), this is all pretty compelling evidence of Orson Welles being a Russian influence asset over time (less so for Cheetham to be honest). But maybe you have a different idea?

w00t. Poster for Russian release of Orson Welles US-market comeback film ‘Touch of Evil’ (1958)

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Orson Welles’ “The War of the Worlds” Radio Hoax was Inspired by Antifascist Foreign Propagandists in 1930’s Hollywood

Here’s a summary of a new research paper I am working on about the ‘mythical’ Orson Welles‘ “The War of the Worlds” Halloween broadcast of 1938 that I think a lot of people will find interesting. (Let me know if you have questions or would like a reference list.)

The book “The War of the Worlds” was published in late 1897 by H.G. Wells, a British author and political commentator. In the final months of World War I, H.G. Wells was was in charge of all British propaganda directed at Germany. Following the second World War (WWII), Sir William Stephenson, who headed up the British Security Coordination (BSC) which was a predecessor to the Office of Strategic Services (OSS), and who was also a real life model for Ian Fleming’s James Bond said of Wells:

“H. G. Wells became a good friend and adviser. The public knew him as a historian and prophet in fiction. Few knew about his passionate belief that in the science-fiction wars to come, our first line of defense would be information, rapidly conveyed.”

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