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Jimmy Hoffa : Enemy of Trotskyites?

With Labor Day on the horizon, I thought it would be a good time to revisit the ‘urban legends’ which surround the July 30, 1975 disappearance of Jimmy Hoffa as the byproduct of possible influence operations. While there is generally strong agreement that the mob was responsible for Hoffa’s vanishing, there are also many conspiracy theories which have linked Hoffa posthumously to both the John F. Kennedy (JFK) and Robert F. Kennedy (RFK) assassinations.

Taking the knowledge that certain aspects of conspiracy which surround the JFK assassination narrative as presented in films like Oliver Stone’s JFK are the result of Soviet disinformation operations, here we will look at the apparent origins of the Hoffa narratives and how they might follow similar contours. In the end, the most popular conceptions of Hoffa as we know him today seem linked to Trotskyites and other radical writers. Notably, the narratives have most strongly emerged from a network of writers who are very close to Hustler magazine publisher Larry Flynt.

Jimmy Hoffa, working for New Detroit Inc.; back to clean up the commie scum

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Opinion: John Wayne was Correct about Russian Narrative Influence

Hopefully this site has provided you with good information about the fruits of what Dwight D. Eisenhower called “the psychological strategists of Communism”. I don’t write a lot of opinion (I meme that usually) but I have done a lot of research on Russian disinformation which entitles me to offer my take on what is going on and what we ought to do about it. 

Today, I’m going to start off by remembering screen legend John Wayne as another person who was correct about the threat strategic Communist narratives posed to our psyche as Americans.  Check out the below 1974 video where Wayne talks about the state of Hollywood during the years of the blacklists and makes his position clear.

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Michael Moore’s ‘Fahrenheit 9/11’ Served a Russian Propaganda Narrative

Today, I’m continuing my ‘fact shaming‘ series (see part 1 here), and I’m going to talk about Michael Moore. Moore’s newest documentary: Fahrenheit 11/9 is coming out on September 21 and I think this is a great time to point out why Moore’s prior films (especially Fahrenheit 9/11) serve ‘communistic’ and/or Russian propaganda interests. One can expect this latest entry from the Russian propaganda ‘fat boy’ will be no different.

Michael Moore: Bullshit Fraud

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The Fat Boys of Russian Propaganda

I’m sick and tired of these liars: (L-R) Michael Moore, Steven Seagal, and Alex Jones

Having a little fun with the observation that overeating is an apparent common side effect of being a Russian propagandist (just ask Orson Welles and Harvey Weinstein).

Conveniently, I also like this Fat Boys track: LIE-Z and the lyrics are suitable to dissing Russian agitprop.  Continue reading “The Fat Boys of Russian Propaganda”

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From ‘Under Siege’ to Overweight: Fact Shaming Russian Dupe Steven Seagal

In case you missed the big news, Steven Seagal ‘defected’ from the US to Russia several years ago and was granted citizenship by Presidential decree of Vladimir Putin. In August 2018, Seagal has just been named by Putin as Russia’s “special representative” on “humanitarian” efforts in the “culture, public, and youth exchanges” with the USA. Today, I am going to make fun of him for being a fat dupe of Russia.

Steven Seagal : Fu Man Chump

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Dario Argento’s ‘The Church’ and The Teutonic Knights of Russian Propaganda

In an effort to expand my understanding of the film-making of Dario Argento,  last evening I watched an Argento-produced-and-written film called The Church (or La Chiesa). It was directed by Michele Soavi, who has been a long-time assistant to Argento, and who is noted for taking inspiration from Sergei Eisenstein and Orson Welles – in addition to his mentor Argento.

Graphic for the Dario Argento produced and written Giallo (‘yellow’) film ‘The Church’ (La Chiesa). If you saw the Italian title first and then watched the movie in English, you could be forgiven for thinking that La Chiesa might translate as ‘The Cheese’.

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Russian Active Measures and the Weaponized Suicide of Anthony Bourdain?

On the so-far final episode of his CNN show Parts Unknown, the late Anthony Bourdain traveled to Bhutan with Darren Aronofsky. Introducing their trip, Bourdain said: “I’m here because of this guy, my friend, the film director Darren Aronofsky; fresh off the unjustifiably horrified reaction to what I think is his masterpiece: mother!”

As Aronofsky later recounted, there in Bhutan he and Bourdain had performed a “Bhutanese death ritual” in what Aronofsky described as an “ironic” reflection about his time spent with the late TV personality. In the end however, this story maybe should not seem so ironic at all, based on its ample connections to Communism and Russian occultism.

https://youtu.be/4txLUUgJ2PE

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Steve Lazarides on the Art War; or (Third) Romans go Home!

In the spirit of the ‘easy solve’ for Steve Lazarides as Banksy (I’m sorry, it’s just so obvious), I hadn’t initially watched his interview from 2014 on RT, although I used it as an image in the story. Having watched it now, I think it is very informative for the “Art War“. In fact,  the segment itself was literally dangled before commercial break as: “The Art of War – how Britain’s artists are taking politics to the street”. 

Come learn from the impoverished historical perspective of Professor Banksy Lazarides (but made much better by a possible Monty Python reference).

‘Power as a political message’ – Steve Lazarides on the street art revolution; Oct 8 2014 – Going Underground – RT (full episode, clip below)

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Baba Yaga the ‘Bony Leg(s)’ Russian Witch

As a kid, I read the book “Bony Legs” but did not pay much attention to it being based on the Russian witch archetype ‘Baba Yaga’ (I didn’t know it was a banned book either!!!). Baba Yaga literally means ‘Grandma bony legs’.

Baba Yaga may have parallels with pre-18th century feminist paganisms and she is noted as a dualistic figure who vacillates between good and evil. She is clearly an important figure in Russian folklore too from the 18th century onward; although it is unclear how much of that perspective was informed by prior mythical beliefs. The above link which seems like a credible book review of a history of Baba Yaga points out her interoperability with other witches in such tales.  

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