The War of the Worlds – noir – dark arts criticism

I continue my research into “MMA culture and propaganda”, now being built out in a working paper entitled “In Submission to Male Nationalist Identities: MMA’s War of the Worlds“. It is turning into a bigger project than I anticipated. In the process of my research, I have come across very interesting observations which fit the contours of my emergent theory on Russian propaganda — not the least of which is that the original name for UFC was actually going to be “War of the Worlds“! But today I want to talk about the Boxer Rebellion.

Before it was renamed the Ultimate Fighting Championship (UFC), the promoters branded it “War of the Worlds”. (This may complement the anti-fascist subtext of many of John Milius’ scripts.)

Continue reading “Was Russia a Factor Behind the Boxer Rebellion?”

Here’s a summary of a new research paper I am working on about the ‘mythical’ Orson Welles‘ “The War of the Worlds” Halloween broadcast of 1938 that I think a lot of people will find interesting. (Let me know if you have questions or would like a reference list.)

The book “The War of the Worlds” was published in late 1897 by H.G. Wells, a British author and political commentator. In the final months of World War I, H.G. Wells was was in charge of all British propaganda directed at Germany. Following the second World War (WWII), Sir William Stephenson, who headed up the British Security Coordination (BSC) which was a predecessor to the Office of Strategic Services (OSS), and who was also a real life model for Ian Fleming’s James Bond said of Wells:

“H. G. Wells became a good friend and adviser. The public knew him as a historian and prophet in fiction. Few knew about his passionate belief that in the science-fiction wars to come, our first line of defense would be information, rapidly conveyed.”

Continue reading “Orson Welles’ “The War of the Worlds” Radio Hoax was Inspired by Antifascist Foreign Propagandists in 1930’s Hollywood”