Introduction: Game of Clones
Over the past five centuries, there are repeated instances in Russian history where the idea of a “royal impostor” and “pretender” who is an “usurper” to the throne has surfaced in a popular cultural narrative. In his seminal article on the subject of samozvanchestvo, renowned semiotician Boris Uspensky surmised: “[t]o write the history of Russia and avoid the question of royal imposture is impossible.” [1]
As also revealed in Uspensky’s essay; due to their sacralization as a divine ruler, the Russian leader was sometimes simultaneously associated with the antichrist, or in other analogies to the devil himself, who is the original “impostor” and deceiver in Christian tradition.
This essay will examine the resurgence in conspiracy theories suggesting “Putin’s doubles” or that “Putin was replaced” from the historical semiotic perspective of imposture. It attempts to suggest how these recurrent narratives may be organically emergent through the Russian state’s efforts to sacralize Vladimir Putin as an “Orthodox Christian” leader, as well as efforts to shape a politics of memory around “neo-medieval” themes.
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