Catherine McCarty seems to have contracted tuberculosis over the next several years, and the family relocated to New Mexico territory. At age 14 or 15, Billy the Kid was orphaned after Catherine died of tuberculosis and his stepfather abandoned the family.
Although I think they are wrong, I will gladly indulge their perceptions of this Western tradition by presenting the argument here that Tsar Ivan likely intentionally poisoned his first three wives in order to achieve contemporary political objectives.
Given prior statements of Roman Polanski on the Dick Cavett show that he was a suspect of a criminal profiler in the murder of his wife – and good evidence he was a cruel husband – some of the quotes I’d seen referenced to Confessions of a Blue Movie Star seemed compelling and concerning in the potential context of both ‘murder as a fine art’ as well as information warfare. Having watched the film, it makes me think that snuff itself is likely a propaganda scheme designed to create a mass hysteria, yet around the usual kernel of truth (in these cases, murders or deaths linked to potential communists). In this sense, snuff as a genre and meme seems quite similar to – and derivative of – the satanism hysteria which followed the murder of Polanski’s wife and friends by the Charles Manson group.
“Yeah I do think a camera can be as dangerous in the hands of a ‘filmmaker’, in quotes, as a bazooka.” – Roman Polanski
It is interesting that Anger too was close to the Surrealist school of art which is considered as a possible factor in the psychological profile of the Black Dahlia murderer. Anger’s film making was inspired by the Surrealist artist Maya Deren, and his 1947 film ‘Fireworks’ led to his romantic involvement with older French artist Jean Cocteau, whom he lived with in France . (Much of the Surrealist school – including Deren – can be placed close to Communism, and Anger also seems to have boycotted Hollywood in the HUAC era, despite Anger’s precedence of using Nazi images in his films.)
Anger was also a lifelong friend of John Gilmore’s lifelong friend Curtis Harrington – a famous filmmaker associated with the occult scene in Hollywood. In addition he was connected to at least 3 of the Manson Family murderers. In this sense, Anger straddles both the Surrealist network hypothetically associated with the Black Dahlia case and the ‘satanist-cultist’ network which might be associated with the Tate-LaBianca murders.
As one of two ‘American’ film directors to be honored in the Russian Golden Eagle film awards category of‘Contribution to World Cinema’(the other being Francis Ford Coppola), it seems somewhat obvious to me that Roman Polanski is a filmmaker who closely aligns with the Orson Welles style of film as (Russian / Communist) propaganda.
“The school was tightly connected with the Polish film archives and we could see anything we wanted… Personally, I was part of the [Orson] Welles group, but there were also groups of neorealists and students who liked the heroic Soviet cinema.” – Roman Polanski
In another long and diverging parallel, I truly enjoyed Mary Pacios’ book ‘Childhood Shadows’, about the January 15, 1947 murder of Elizabeth “Bette” Short – best known as ‘The Black Dahlia’, in Los Angeles California. Pacios offered a fascinating and plausible suggestion that Orson Welles could be a credible suspect in the unsolved case. Welles left the United States shortly after the death. This kind of behavior is common for murder suspects. While Pacios did not explore the politics, my prior research suggests Welles had similar motivations to flee around this time due to his Communist Party linked politics and connections to Russian espionage.