Narrating the Wagner Uprising as a Nuclear Hybrid Threat

Introduction: From Nuclear Terrorism to Nuclear Hybrid Threats (and Nuclear Hybrid Warfare)

The geopolitical threat posed by the charismatic leader of a private military corporation (PMC) in possession of a stolen nuclear weapon and set against the backdrop of conspiracy theories involving Russia are themes central to the narrative of Konami’s “Metal Gear” series of videogames.

From June 23-24 2023, Yevgeny Prigozhin, the ‘Big Boss’ of PMC Wagner led his troops in an unprecedented uprising against Vladimir Putin. This week, Ukrainian intelligence spread narratives that the Wagner mercenaries had attempted to steal “backpack nukes” from a military base in Russia during their march on Moscow [1]; and so it was that life imitated the art of Metal Gear.

Meme with Yevgeny Prigozhin depicted as Metal Gear Solid’s Big Boss (credit: https://knowyourmeme.com/photos/2611049-wagner-group-yevgeny-prigozhin; Original: https://twitter.com/AetiusRF/status/1672382455234306048)

Such scenarios as explored in Metal Gear and many other works of art might most often be classified academically under the keyphrase of “nuclear terrorism”. “Nuclear terrorism” (in quotes) seems a well-documented research area, which returned 22,300 hits today on Google Scholar for example.

However, for over a week before the narrative about Wagner raiding the nuclear base circulated, I had already been wondering if the Wagner uprising had been connected in any way to the tactical nuclear weapons which Russia had publicly placed in Belarus. I wondered if that may better explain Alexander Lukashenko’s strange role in the story as well.

In discussing my scenarios of using Wagner as a proxy for a deniable nuclear attack with hybrid warfare and disinformation expert Chris Kremidas-Courtney  (Senior Fellow, Defense and Security, Friends of Europe), he told me I was describing a “nuclear hybrid threat.

Kremidas-Courtney deserves credit for coining this term in an academic context from what I can tell based on a quick literature review.  “Nuclear hybrid threat” does not occur on Google Scholar, and at least one of the two results for “nuclear hybrid warfare” appears to be a false positive.

Defining the PMC Wagner revolt more specifically in the scenario of a nuclear hybrid threat rather than as nuclear terrorism seems to have significant value from a modern academic information warfare perspective.

Hybrid threats have been defined by NATO as: “combin[ing] military and non-military as well as covert and overt means, including disinformation, cyber attacks, economic pressure, deployment of irregular armed groups and use of regular forces. Hybrid methods are used to blur the lines between war and peace, and attempt to sow doubt in the minds of target populations.” [2]

A nuclear hybrid threat could be defined as those nation-state hybrid threats which are related specifically to nuclear materials or weapons; and yet do not rise to the level of an actual nuclear war.

In this blog, I will seek to unpack the idea of 2023’s nuclear hybrid threats as generated by Russia in their war in Ukraine, especially as they relate to similar narratives of theoretical nuclear terrorism from Russia in the 1990’s involving “suitcase atomic bombs”, “briefcase nukes”, etc.

Perhaps this all ends up looking like a “nuclear cardboard box“…

Continue reading “Narrating the Wagner Uprising as a Nuclear Hybrid Threat”

The Schizowar is Interested in You (Forever)

Some of Alexander Dugin’s recent writings referenced the concept of “Schizowars” (Шизовойны) [1] which was a term I coined in English in December 2018 and defined as “The use of psychoanalytic/psychographic approaches to exacerbate divisions in organizations and societies by inducing a state of conflict and paranoia, often through the use of strategically architected and deployed disinformation.” [2]

Certainly it was curious for me to wonder if Dugin may have been reading my work, as much as I have been reading Dugin. I was reminded of several quotes. The first was FBI profiler Robert Ressler’s mantra borrowed from Nietzche: “He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into the abyss, the abyss also gazes into you.

I was also reminded of the familiar phrase “You may not be interested in [the] war, but [the] war is interested in you”; which is a saying popularly attributed to Leon Trotsky. Interestingly, a study of history in relation to this quote however reveals that it is instead likely a paraphrase of several statements about the dialectic, which may be primarily attributed to a synthesis of a 1940 debate between New York University Professor James Burnham and Trotsky.

Burnham had said “I do not recognize dialectics, but, as you say, dialectics recognizes me” to which Trotsky had (in part) replied “Burnham doesn’t recognize dialectics but dialectics does not permit him to escape from its net. He is caught as a fly in a web.”

Ultimately, it seems that the popular version of the quote referencing war comes from a careless reading of the 1977 book “Just and Unjust Wars: A Moral Argument with Historical Illustrations” by Harvard Professor Michael Walzer which included the statement: “War is most often a form of tyranny. It is best described by paraphrasing Trotsky’s aphorism about the dialectic: “You may not be interested in war, but war is interested in you.”” [3]

Perhaps it is poetic that the popularly understood, and yet misattributed statement about “war” seems to emerge from the synthetic result of a dialectical process between Trotsky and Burnham.

If this is not simply a case of convergent evolution in etymology, I suppose that now in the discussion of schizowar, I may be in a dialectic of sorts with Dugin which may result in synthetic meanings of this concept.

While I have posited this war in observations of an aggressive Russian nationalist political competition which divides us politically in America, Dugin seems to similarly posit a war architected on the inherent chaos between extremes, but conducted by Western democracies and directed at Russia. While I have posited that Russian ideologists seem to me to be antichristian in their behavior, they claim the West is Satanic, and they must ‘desatanize’ Ukraine.

If Russia is my monster, am I representative of theirs? The abyss gazes back… 

Continue reading “The Schizowar is Interested in You (Forever)”

“Ideology of Victory” and the Death of Daria Dugina

Daria Dugina (Darya Dugina), daughter of Alexander Dugin, was reported to have died on August 20, 2022 in a car bombing in the Moscow suburbs. Russian political authorities, federal police, and propagandists have consistently portrayed it as an act of Ukrainian terrorism and pointed to Ukrainian suspects.

Conversely, Ukraine has officially denied these allegations. Rather than taking the event at face value as it has been portrayed in Russian media, many Western reports have questioned whether it was an act of “false flag” terrorism.

In this scenario, the killing of Dugina would be intended to bolster public support for the war in Ukraine by reinforcing the idea of Ukraine as a fascist, terrorist state. It would be analogous to a widespread theory that the FSB had carried out a series of apartment bombings in September 1999 in order to bolster public support for a second war in Chechnya.

When Alexander Dugin first released a public statement about the assassination, he did so through Konstantin Malofeev on Malofeev’s Telegram channel [1]. Malofeev, like Dugin has not only been sanctioned for his actions related to Ukraine, but is a member of the ultra-conservative Izborsky Club; a philosophical group which was co-founded by Alexander Prokhanov and Vitali Averyanov, and includes many prominent Russians, some close to Putin [2].

This long-read report demonstrates that regardless of whom may be responsible for the crime, the death of Daria Dugina has been consciously manipulated by figures like Alexander Dugin, Alexander Prokhanov, and Konstantin Malofeev in order to frame the murder as a kind of symbol of martyrdom which supports the neo-imperialist “Ideology of Victory” that was formally articulated by the Izborskists in October 2021, prior to the Ukraine invasion.

The death of Daria Dugina provokes enduring symbols of Russian ideology

This observation in and of itself does not mean the Izborskists have complicity in the murder. But it does seek to prove objectively that the death has been used consciously from the start as an ideological and political instrument of Russian imperial power. Continue reading ““Ideology of Victory” and the Death of Daria Dugina”

Alexander Blok’s “Sun Over Russia” (1908) and the Kremlin Vampire

Dracula’s long significance in Russian literature which became the basis of a narrative parallel with the tsar and autocrat is not limited to Fyodor Kuritsyn’s Tale of Dracula the Voivode or Dmitry Merezhkovsky’s Antichrist (Peter and Aleksey) [1,2].

Inspired by Bram Stoker’s Dracula, in his 1908 article Sun Over Russia, the writer and poet Alexander Blok (1880-1921) also utilized the imagery of the vampiric ghoul to describe the bloodthirsty behavior of the tsarist empire and its church leaders.

Blok’s essay was written in celebration of the 80th birthday of Leo Tolstoy. (The ghoul was a concept introduced into Russian literature by Alexander Pushkin; and later developed by Alexey Tolstoy (a distant relative of Leo Tolstoy).) [3]

I’ve found the essay and translated it since it doesn’t seem to be common in English.

Alexander Blok

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Images of Torture and Execution in Illustrated Chronicle of Ivan IV

President Putin recently created a controversy when he “defended” the Oprichnik chief Malyuta Skuratov from the traditionally accepted view that he had strangled Metropolitan Philip for refusing to bless Ivan Grozny’s military campaign on Novgorod. This action has been seen as related to the “information warfare” arguments about Ivan IV which have been crafted by the ideologists of the Izborsky Club; and it may relate to recent national security strategies which seem intended to protect Russia’s “historical memory”.

The ideologists responsible for these narratives have in recent years frequently sought to portray the common negative appraisals of Ivan IV and his guardsmen’s terrors as the product of Western “information wars” which were furthered by Western superiority in printing. The Gutenberg Bible for example was printed in Germany nearly 100 years before Ivan IV ordered the development of the first Russian print yard.

Translated Ivan the Terrible exhibit from ‘Russia, My History’, Moscow

In the above image from the “Russia, My History” exhibitions we can see two German images which are related to this information warfare idea. Continue reading “Images of Torture and Execution in Illustrated Chronicle of Ivan IV”

Vladimir is the Ruler of the World

Question More about the deceiver of the whole world

In September 2017, Vladimir Putin said of Artificial Intelligence that “the one who becomes the leader in this sphere will be the ruler of the world.

Fascinatingly, the name Vladimir itself may translate in Slavic languages as “to rule the peace” or “to rule the world”.

The term “the ruler of the world” (or “ruler of this world”) is an interesting choice of words, because it is a biblical term associated with the work of Satan and the Antichrist to most Christians.

Now, if we look at the name of Satan:

“The name Satan is derived from the Hebrew שָׂטָן Satan which means “adversary, opponent…accuser, opposing party…[or] the one who hinders a purpose”[1] The Greek Σατανᾶς Satanas carries the same meaning and is used “in a very special sense of the enemy of God and all of those who belong to God.”[2] Other names for Satan include the shining one, or Lucifer (Isa 14:12), the evil one (1 John 5:19), the tempter (1 Thess 3:5), the devil (Matt 4:1), the god of this world (2 Cor 4:4), the accuser of the brethren (Rev 12:10), the prince of the power of the air (Eph 2:2), the serpent (Rev 12:9), and the great red dragon (Rev 12:3). Further, Satan is a murderer and liar (John 8:44), is compared to a lion that prowls about, looking for someone to devour (1 Pet 5:8), and one who disguises himself as an angel of light (2 Cor 11:14).”

I’m quite sure that James Randi would approve of Putin’s “honest liar” statement about his goals for AI and world domination.

I think Vladimir would be a great name for the Antichrist, LOL. Protip: Keep it in mind Satan, when choosing a baby names. (I also recommend Donald in case of twins, there are many antichrists afterall.)

The Priory of Sion Hoax as a Surrealist Conspiracy and Provocation

I had noted that there is a database of debunked claims about COVID-19 at Carnegie Mellon University, which includes reference to the idea of the virus as some kind of Russian bioweapon. As I was unaware of any example of disinformation on this matter (with the exception of hoping the reference didn’t somehow come from this site), I did find a reference to such a claim at a site generally associated with Russian disinformation targeted at the US Military: Veteran’s Today.

The story is posed in a geopolitical and Christian-apocalyptic context. It closes with a comment on the supposed relation of Jesus Christ to the Merovingian dynasty of France. The idea of a Merovingian dynasty is primarily associated with ideas of Pierre Plantard, and the so-called Priory of Sion, which influenced author Dan Brown’s novels most notably, ‘The Da Vinci Code’. 

Most charitably, the matter of the Priory of Sion has the appearance of being a French attempt at creating a Holy Grail mythology for France similar to that for example of King Arthur in Britain; on the other hand, this hoax also seems to have many hallmarks of fascistic propaganda linked to historical Russian influence. 

The interesting thing about the cultural background of the milieu of prophecy related to COVID-19 in the Veteran’s Today article is not only its ‘Duginesque’ apocalypticism, but the idea that Plantard’s purposeful efforts to create the Priory of Sion hoax were largely based on his work with espionage-linked occultists and Surrealists. His efforts seem intended to prove that he himself was heir to the Merovingian bloodline – predicted by none other than Nostradamus – and therefore himself a descendant of Jesus by the logic of the false prophecy.

Not to praise myself, but there are many examples of Nostradamus conspiracy now being discussed in the context of disinformation and information warfare around COVID-19 (1, 2, 3). I see this as a replication of my prior efforts to some extent. (Once again, the Nostradamus piece of this conspiracy is only a facet of the total disinformation.) 

I’ve been sitting on most of the below analysis for a while, but I think it is complete enough to post in light of the use of such ideas in COVID-19 disinformation.

The Priory of Sion and the Quest for the Holy Grail, or Lincoln's ...
Pierre Plantard: con man

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Roman Polanski in ‘Confession[s] of a Blue Movie Star’

In working to build a case that Roman Polanski was involved in an anti-American  influence scheme involving communism, surrealism/satanism, and murder – evoking Orson Welles’ potential involvement in the murder of Elizabeth Short (a.k.a. ‘The Black Dahlia’); I purchased  my first VHS tape in maybe 20 years: ‘Confession[s] of a Blue Movie Star‘ (also known as ‘The Evolution of Snuff‘ (1978)).

Given prior statements of Roman Polanski on the Dick Cavett show that he was a suspect of a criminal profiler in the murder of his wife – and good evidence he was a cruel husband – some of the quotes I’d seen referenced to Confessions of a Blue Movie Star seemed compelling and concerning in the potential context of both ‘murder as a fine art’ as well as information warfare. Having watched the film, it makes me think that snuff itself is likely a propaganda scheme designed to create a mass hysteria, yet around the usual kernel of truth (in these cases, murders or deaths linked to potential communists). In this sense, snuff as a genre and meme seems quite similar to – and derivative of – the satanism hysteria which followed the murder of Polanski’s wife and friends by the Charles Manson group.

“Yeah I do think a camera can be as dangerous in the hands of a ‘filmmaker’, in quotes, as a bazooka.” – Roman Polanski

Cover of the version of the movie I received. It apparently has several variations. In movie, the title seems to actually be ‘Confessions of a Blue Movie Star’, but you’ll most popularly find it cited as ‘Evolution of Snuff’. (VHSCollector.com)

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Building a Network to Connect the Black Dahlia and Tate-LaBianca Cases

While I run with the possibly flawed assumption that 1. Orson Welles was a credible suspect in the Black Dahlia case, and that 2.  there is a connection between Surrealism and the Black Dahlia case, and that 3. there may be some parallels in Orson Welles’ behavior relative to the time of the Black Dahlia murder and Roman Polanski’s behavior relative to the time of the murder of his wife Sharon Tate (all of which are more thought experiments than anything), I built out a little network mimicking the network from the ‘Exquisite Corpse’ book.

Network demonstrating overlap with surrealism and satanism in context of Black Dahlia and Tate-LaBianca cases

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The Fat Boys of Russian Propaganda

I’m sick and tired of these liars: (L-R) Michael Moore, Steven Seagal, and Alex Jones

Having a little fun with the observation that overeating is an apparent common side effect of being a Russian propagandist (just ask Orson Welles and Harvey Weinstein).

Conveniently, I also like this Fat Boys track: LIE-Z and the lyrics are suitable to dissing Russian agitprop.  Continue reading “The Fat Boys of Russian Propaganda”