The position of my blog has generally been oriented towards viewing Russia as a rogue and China as a peer – such that they respectively merit foreign relations approaches weighted towards war and diplomacy. Despite this, the informational evidence shows that the idea of an inevitable “Thucydides Trap” between China and the US has been exacerbated by Russian disinformation and active measures. Now it seems many very fine people on both sides are eating a similar tainted “Chinese meat” of disinformation sourced from Russian intelligence which will lead to Chinese-US hostility if carried to a logical conclusion.
Maciej “Matt” Makowski is a veteran of An Garda Siochana (Ireland’s National Police and Security Service), where he specialized in intelligence and cyber-crime. He was the first foreign national to be admitted to the highly selective police service and worked there over a decade. After retiring early in 2019, he currently is employed in the private sector in the information security industry. Matt operates the very interesting OSINT ME (osintme.com) blog which has a focus on open source intelligence methods (I’ve even found the site useful for my day job).
In order to promote continued awareness about Nostradamus’ use in Russian information warfare, I reached out to Matt to share some of my papers. A question and answer session over email ensued about my perspectives on the subject. I found this an enjoyable experience and hope you will visit Matt’s blog to check it out. You may also learn a lot about open source intelligence in the process.
As parcel to my 30 day trial of Netflix (to watch ‘Tiger King’ of course, so I could compare it with ‘Cat Dancers’), I also thought to catch up on Surrealist director David Lynch’s seminal series from April 1990-June 1991: ‘Twin Peaks’. I also watched his 2020 short film ‘What Did Jack Do?’ which seems to be a Netflix exclusive.
A common theme at this blog has been studying the cultural movements of Communism, Theosophy, and Surrealism as they may relate to the currents of Russian information operations. I am not sure you could find many television shows which embodied all these concepts if you looked – but Twin Peaks would absolutely be one of them. (It also has a memorably eerie and yet hopeful soundtrack. To paraphrase the series’ dialogue, I am not sure if it represents a nightmare or a beautiful dream.)
The story is posed in a geopolitical and Christian-apocalyptic context. It closes with a comment on the supposed relation of Jesus Christ to the Merovingian dynasty of France. The idea of a Merovingian dynasty is primarily associated with ideas of Pierre Plantard, and the so-called Priory of Sion, which influenced author Dan Brown’s novels most notably, ‘The Da Vinci Code’.
Most charitably, the matter of the Priory of Sion has the appearance of being a French attempt at creating a Holy Grail mythology for France similar to that for example of King Arthur in Britain; on the other hand, this hoax also seems to have many hallmarks of fascistic propaganda linked to historical Russian influence.
The interesting thing about the cultural background of the milieu of prophecy related to COVID-19 in the Veteran’s Today article is not only its ‘Duginesque’ apocalypticism, but the idea that Plantard’s purposeful efforts to create the Priory of Sion hoax were largely based on his work with espionage-linked occultists and Surrealists. His efforts seem intended to prove that he himself was heir to the Merovingian bloodline – predicted by none other than Nostradamus – and therefore himself a descendant of Jesus by the logic of the false prophecy.
Not to praise myself, but there are many examples of Nostradamus conspiracy now being discussed in the context of disinformation and information warfare around COVID-19 (1, 2, 3). I see this as a replication of my prior efforts to some extent. (Once again, the Nostradamus piece of this conspiracy is only a facet of the total disinformation.)
I’ve been sitting on most of the below analysis for a while, but I think it is complete enough to post in light of the use of such ideas in COVID-19 disinformation.
Attached is my most recent peer reviewed paper which was accepted for publication in the proceedings of the 15th International Conference on Cyber Warfare and Security (ICCWS) to be held on 12-13 March 2020 at Old Dominion University in Norfolk, Virginia. The paper is based on an analysis of the online conspiracy theories which surrounded the 15 April 2019 fire at the Notre Dame Cathedral in Paris, France. (While the paper was published I am not attending the conference for personal reasons.)
Included in the milieu of conspiracy theories circulated online were fake Nostradamus prophecies evoking a kind of conspiracism known as ‘popular eschatology’. The sharing of such conspiracies drove a large global increase in Nostradamus interest, as revealed by Google Trends.
The overall mix of the Notre Dame fire conspiracy theories – to include notions of false flags, Islamophobic sentiments, and Nostradamus prophecies – seem to be similar to 9/11 conspiracies, and may share commonality in their links to Russian influence.
The new paper argues that Nostradamus prophecies can be seen as similar in how they promote Islamophobia and anti-Catholicism as to how the Russian secret police concoction ‘The Protocols of Zion’ may have been useful in promoting anti-Semitism in furtherance of fin de siè·cle Russian influence campaigns. It dives deep into a cultural examination of Russia’s apparent sense of hostility to Catholicism based on its historical legacy as a Russian Orthodox country, and it attempts to frame the described 2019 ‘anti-Catholic conspiracies’ within a framework of Russian disinformation sympathetic to such nationalistic ideas.
Given prior statements of Roman Polanski on the Dick Cavett show that he was a suspect of a criminal profiler in the murder of his wife – and good evidence he was a cruel husband – some of the quotes I’d seen referenced to Confessions of a Blue Movie Star seemed compelling and concerning in the potential context of both ‘murder as a fine art’ as well as information warfare. Having watched the film, it makes me think that snuff itself is likely a propaganda scheme designed to create a mass hysteria, yet around the usual kernel of truth (in these cases, murders or deaths linked to potential communists). In this sense, snuff as a genre and meme seems quite similar to – and derivative of – the satanism hysteria which followed the murder of Polanski’s wife and friends by the Charles Manson group.
“Yeah I do think a camera can be as dangerous in the hands of a ‘filmmaker’, in quotes, as a bazooka.” – Roman Polanski
It is interesting that Anger too was close to the Surrealist school of art which is considered as a possible factor in the psychological profile of the Black Dahlia murderer. Anger’s film making was inspired by the Surrealist artist Maya Deren, and his 1947 film ‘Fireworks’ led to his romantic involvement with older French artist Jean Cocteau, whom he lived with in France . (Much of the Surrealist school – including Deren – can be placed close to Communism, and Anger also seems to have boycotted Hollywood in the HUAC era, despite Anger’s precedence of using Nazi images in his films.)
Anger was also a lifelong friend of John Gilmore’s lifelong friend Curtis Harrington – a famous filmmaker associated with the occult scene in Hollywood. In addition he was connected to at least 3 of the Manson Family murderers. In this sense, Anger straddles both the Surrealist network hypothetically associated with the Black Dahlia case and the ‘satanist-cultist’ network which might be associated with the Tate-LaBianca murders.
A first at n01r today is a guest blog from Dr. Richard Spence, Professor in the History Department at the University of Idaho. Dr. Spence has one of the coolest sets of courses I’ve seen which complements a lot of the things I investigate at the site; such as the intersection of the occult, strategic disinformation, and espionage (like Theosophy).
I’d like to launch right into my Part 2 on ‘Communist Conspiracy and Murder as a Fine Art’; but in order to make that eventual post more succinct on the parallels between Roman Polanski and Orson Welles as they may relate to the Tate-LaBianca murders and the Black Dahlia cases respectively; I first need to delve into the question of ‘who was the true heir to Aleister Crowley’? The many links to the Crowley set permeate the back story of the cult scene which seems to have given emergence to the Charles Manson crowd. We may not arrive at a definitive answer, but exploring the question of Crowley and urban legends about his heir (to wit the figures of L. Ron Hubbard and Kenneth Anger via their mutual relationships with Jack Parsons) seems to be important in terms of examining the paradigm I’m suggesting.